Details for this torrent 


Louis Malle - Le feu follet (1963) - Freakyflicks
Type:
Video > Movies
Files:
4
Size:
1.28 GB

Info:
IMDB
Spoken language(s):
French
Texted language(s):
English
Quality:
+0 / -0 (0)

Uploaded:
May 19, 2008
By:
clownmonkey



AKA "The Fire Within" 
http://www.imdb.com/title/tt0057058/
My rip.  In French with English hardsubs


For screen captures, please visit the NEW RELEASES thread in the Freakyflicks forum.


From Strictly Film School:

 Alain (Maurice Ronet) silently observes his lover Lydia (Léna Skerla), struggling to decipher the elusive meaning beneath the wistful, attentive eyes, lingering beyond the point of reassuring tenderness to where the potentiality of the moment of connection has irretrievably slipped away, and all that is left is the inscrutable, opaque gaze. Confronting the awkward silence, the lovers continue in their polite charade of shared intimacy: clutching at empty embraces and impassive expressions of happiness, substituting a haze of cigarette smoke for a stream of unarticulated thoughts - the sentimental inertia of an indefinable fire within - that separates them. Having spent several months confined in the safe insulation of a sanitarium for the treatment of alcoholism, Alain is reluctant to leave the facility and face the temptations and uncertainties of the outside world again, despite the encouragement of his therapist who reassures him that he is cured of his malady and that his lingering anxieties merely reflect the normal process of psychological transition to adjusted wellness. But Alain is not so certain of his ability to return to his former life. Rejecting Lydia's proposal to return to his adoptive city of New York, away from the temptations of his self-destructive existence in Paris, he instead begins to visit each of his estranged friends in an attempt at reconnection: an intellectual (Bernard Noël) who has settled into a comfortable bourgeois existence pursuing mystical studies in lieu of searching for (and working towards) true knowledge and enlightenment; a bohemian (Jeanne Moreau) living in a squalid commune who has become resigned to a life of drug addition and suicidal recklessness; a pair of militant brothers (François Gragnon and Romain Bouteille) who, in the aftermath of the Algerian independence and brewing domestic terrorism, have decided to set their sights abroad towards joining the struggle and political agitation of other countries. Drifting through a seemingly alien and disconnected past, Alain retreats further into the emotional void of his self-imposed exile.

From the opening sequence of an immobile Alain studying the face of his silent lover as an off-screen narrator provides the contextual interior monologue to encapsulate the depth of his despair in his inability to connect beyond physical intimacy, Louis Malle establishes an intrinsic disjunction that reflects Alain's emotional inertia and ambivalence following his figurative catharsis and rebirth. Visually, Malle reinforces this sense of stasis through Alain's enigmatically encircled, handwritten date on his bureau mirror that commemoratively reads "July 23" and a string of photographic proofs tacked onto the walls of his private room at the clinic, documenting a logical progression of images (perhaps of his estranged wife) even as each representational frame is static and immutable. Malle further incorporates recurring imagery of relative motion as a near-still Alain is juxtaposed against people (and objects) in accelerated motion: navigating through a maze of speeding cars to cross busy streets, walking out into the unexpected sight of a cycling race that momentarily whisks by in front of the hotel, observing a crowd of people walking (and driving) past as he sits in the café, having been left behind by the Minville brothers as they plot to embed themselves for a covert operation in the Spanish underground. Through his figurative stasis and tabula rasa, Alain serves as an incisive reference point for the profound social and cultural turmoil of his environment, a foil for the carefree idealism of his generation that has transfigured into complacency, resignation, hedonism, violence, and self-destruction. It is this profound desolation that is inevitably captured in the film's haunted postscript, a desire to erase the tainted illusion and restore to the purity of the ideal ...the first gaze.  (c) Acquarello, 2005

--- File Information ---                                                        
File371,367,424                     
                                                                                
--- Container Information ---                                                   
Base Type (e.g "AVI"):                          AVI(.AVI)                 
Subtype (e.g "OpenDML"):                        OpenDML (AVI v2.0),                   
Interleave (in ms):                             42          
Preload (in ms):                                504       
Audio alignment("split across interleaves"):    Aligned         
Total System Bitrate (kbps):                    0            
Bytes Missing (if any):                         0            
Number of Audio Streams:                        1       
                                                                                
--- Video Information ---                                                       
Video Codec Type(e.g. "DIV3"):                  xvid  
Duration (hh:mm:ss):                            01:48:20                
Frame Count:                                    155849             
Frame Width (pixels):                           720                  
Frame Height (pixels):                          448                       
Display Aspect Ratio ("DAR"):                   1.607                     
Frames Per Second:                              23.96                     
Video Bitrate (kbps):                           1592                 
MPEG-4 ("MPEG-4" or ""):                        MPEG-4                   
B-VOP ("B-VOP" or ""):                          B-VOP   
                                                                                
--- Audio Information ---                         
Audio Codec (e.g. "AC3"):                       0x0055(MP3, ISO) MPEG-1 Layer 3        
Audio Sample Rate (Hz):                         48000             
Audio Bitrate(kbps):                            87                 
Audio Bitrate Type ("CBR" or "VBR"):            VBR            
Audio Channel Count (e.g. "2" for stereo):      2      

     
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Comments

Clownmonkey, Can you find Passage du Rhin, Le [Tomorrow Is My Turn] (1960) Director: André Cayatte starring Charles Aznavour?
Hi clownmonkey great jobb

but the movie (Touchez Pas au Grisbi) can I not track down, it say errors in the torrent down loader.
what can I do?
Merci!!!
merci clownmonkey!